Terrance Hayes, Codirector
Terrance Hayes, codirector of the Center for African American Poetry and Poetics, is a professor of English at the University of Pittsburgh. Hayes is the author of Lighthead (Penguin 2010), winner of the 2010 National Book Award and finalist for the National Book Critics Circle Award. His other books are Wind In a Box (Penguin 2006), Hip Logic (Penguin 2002), and Muscular Music (Tia Chucha Press, 1999). His honors include a Whiting Writers Award, a National Endowment for the Arts Fellowship, a United States Artists Zell Fellowship, a Guggenheim Fellowship, and a MacArthur Fellowship. How To Be Drawn (Penguin 2015), his most recent collection of poems, was a finalist for the 2015 National Book Award, the 2016 National Book Critics Circle Award, and received the 2016 NAACP Image Award for Poetry. Hayes earned his MFA from the University of Pittsburgh in 1997. After teaching in Ohio, New Orleans, and Japan, he returned to Pittsburgh. Hayes taught at Carnegie Mellon University until returning to his alma mater in 2013 as a full professor in the Department of English.
Read more about Hayes at his Web site.
Dawn Lundy Martin, Codirector
Dawn Lundy Martin, codirector of the Center for African American Poetry and Poetics, is a professor of English at the University of Pittsburgh. Martin received her MA in Creative Writing from San Francisco State University and her PhD in literature at the University of Massachusetts/Amherst with a dissertation on experimentalism and subjectivity in contemporary poetry. She is the author of A Gathering of Matter / A Matter of Gathering (University of Georgia Press 2007), winner of the Cave Canem Prize; DISCIPLINE (Nightboat Books 2011), which was selected by Fanny Howe for the Nightboat Books Poetry Prize and a finalist for both Los Angeles Times Book Prize and the Lambda Literary Award; Candy, a limited edition letterpress chapbook (Albion Books 2011); The Main Cause of the Exodus (O’clock Press 2014); and The Morning Hour, selected by C.D. Wright for the 2003 Poetry Society of America’s National Chapbook Fellowship. Her latest collection, Life in a Box is a Pretty Life (Nightboat Books 2015) received a 2016 Lambda Literary Award. She is at work on a new book titled Good Stock, forthcoming from Coffee House Press.">
Read more about Martin at Pitt’s Writing Program Web site.
Lauren Russell, Assistant Director
Lauren Russell, assistant director of the Center for African American Poetry and Poetics, is a research assistant professor at the University of Pittsburgh. Her first full-length book, What’s Hanging on the Hush, will be out from Ahsahta Press in 2017. A Cave Canem fellow, she was the 2014-2015 Jay C. and Ruth Halls Poetry Fellow at the Wisconsin Institute for Creative Writing, the 2016 VIDA fellow to the Home School, and a 2017 National Endowment for the Arts fellow. Russell's chapbook Dream-Clung, Gone came out from Brooklyn Arts Press in 2012, and her work has appeared in Better, boundary 2, The Brooklyn Rail, jubilat, and Tarpaulin Sky, among others, and in the anthology Bettering American Poetry 2015. Her reviews may be found in publications including Aster(ix), The Volta, and Jacket2. Russell holds an MFA from the University of Pittsburgh, where she served as co-editor-in-chief of Hot Metal Bridge and received a Distinguished Teaching Award in the English Department. She is currently in the middle of a book-length poetic hybrid work tentatively entitled Descent.
Learn more about Russell and view links to her work.
Jessica Lanay Moore
Graduate Student Assistant
Jessica Lanay Moore, graduate student assistant at the Center for African American Poetry and Poetics, is currently an MFA candidate in poetry at the University of Pittsburgh. Originally from Key West, Fla., she arrived in Pittsburgh by way of New York. Most recently she worked at Poets & Writers Magazine. Moore received her MA in Latin American, Caribbean and Iberian Studies with focuses in Art History and African Diasporan History from the University of Wisconsin-Madison. She received her BA in Art History from Agnes Scott College. She is a Callaloo and Cave Canem Fellow. While primarily a poet, Moore also writes short fiction; her work has been published in Acentos Review, Crab Fat Magazine, Five Quarterly, Sugar House Review, Salt Hill Review, and others. She has work forthcoming in Tinderbox Poetry Journal, and Black Candies: A Journal of Literary Horror.
Malcolm Friend is a poet originally from the Rainier Beach neighborhood of Seattle, Washington. He received his BA from Vanderbilt University and his MFA from the University of Pittsburgh. He is the author of the chapbooks mxd kd mixtape (Glass Poetry, forthcoming) and Case Study on the Afro-Seattleite (e-chapbook, Radical Narratives, forthcoming), and has received awards and fellowships from organizations including CantoMundo, VONA/Voices of Our Nation, Backbone Press, and the University of Memphis. His work has appeared or is forthcoming in publications including La Respuesta magazine, Vinyl, Word Riot, The Acentos Review, and Pretty Owl Poetry.
Angie Cruz, Assistant Professor, Department of English
Toi Derricotte, Professor Emeritus, Department of English
Yona Harvey, Assistant Professor Department of English
Ronald Judy, Professor, Department of English
Imani Owens, Assistant Professor, Department of English
William Scott, Associate Professor, Department of English
Christel Temple, Associate Professor, Department of Africana Studies
Autumn Womack, Assistant Professor, Department of English
Elizabeth Rodriguez Fielder, Assistant Professor, Department of English